Anthony McCall Movies

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996....

Home movies shot on Super 8mm by W+B Hein over 10 years.

Swarm, 2026, McCall’s most recent work, premiering in the exhibition, draws on the rising significance of drones as an increasing presence in...

Vertical video installation by Anthony Mccall.

A flat blade of light rotating from a fixed central axis.

The film is screened in a completely dark, smoke-filled room with no seats or screen; the projector must be visible

Breath (2004) was especially fascinating in how the light was used to create an architectural like enclosure that is 10 meters tall with a 4-meter...

The first in the new Solid Light film series. Like Four Projected Movements almost thirty years earlier, the installation is projected against a...

A vertical solid-light installation that extends McCall’s investigation of perception through an intricate dialogue between light and sound....

A vertical (standing), deeply folded traveling wave passes through and around an only partly visible cone at its center which vigorously and...

Split Second consists of two separate points of light projected at different heights. The two projections – one elliptical, one flat –...

Three male voices dissect one edition of The New York Times through a series of locked-off shots, revealing the prejudice and latent content of news...

This key work of the late 1970s, now digitally restored, is a unique attempt to combine contemporary debates around formalism, feminism and...

In Raised Voices, there are two competing and intersecting forms within the horizontal projection; an incomplete ellipse that varies in its diameter,...

This experimental "film" consists of an empty room with a bare lightbulb, and windows covered with a translucent material, for a duration of 24...

LINE DESCRIBING A CONE is what I term a solid light film. It deals with the projected light beam itself, rather than treating the light beam as a...

For Landscape for Fire, Anthony McCall and members of the British artist collaborative Exit followed McCall’s pre-determined score to torch...

“Cone of Variable Volume was a conical form, which expanded and contracted in volume, like a lung. The rhythmic movement is imperceptible at...

Landscape for White Squares features individuals emerging out of a dense fog, carrying large, square, white sheets.